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The drawers no longer open up as they use to

1860s to 1870s: Big Skirts and the Bustle The cage crinoline was initially made of cotton and linen and was cumbersome and heavy

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[11] The dress was analysed by Caroline McCauley in Fashion, Agency, and Empowerment: Performing Agency, Following Script , [8] and it was interpreted as part of Diana's couture of "revenge" following the breakdown of her marriage to Charles after years of having "snippets of a seductive glamour hidden by a proper royal purity"